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This is where my biggest criticisms of House of Gucci lie. It wasn’t his performance that irked me, but more how his character was so separate from everything else going on in the film. One that threw a wrench into the entire production. Many are praising Jared Leto for his performance as the clownish, boy-prince Paolo, though I found his part to be more of a silly caricature.
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Driver is low-key and effective, and Irons is snobbishly delicious. Al Pacino gives one of the best performances of the later part of his career as the loving uncle who is facing ruin. While Gaga’s depiction is the best of the bunch, there is a smattering of other colorful portrayals that are worth celebrating. She disappears entirely into her role and accomplishes a turn worthy of her second Oscar nomination for Lead Actress. Like Patrizia, Gaga exudes charm and charisma with equal parts killer instinct and determination. While some will criticize Gaga’s accent to be more Russian than Italian ( including the film’s dialect coach Francesca De Martini), there are few that can deny the unstoppable sizzle she brings to the screen. She brings an authenticity to her Patrizia that could very well have been portrayed as an exaggerated parody. And while no disrespect is meant for those other wonderful actresses, I can’t imagine anyone doing more with this role than what Gaga realizes onscreen. There were rumors of Angelina Jolie, Margot Robbie, and Penelope Cruz being casted for the role of Patrizia, but Scott finally landed on Gaga. The production went through a variety of directors, cast, and crew before finalizing the staff in the summer of 2020. Ridley Scott acquired the rights to Forden’s novel nearly twenty years ago.
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The feud boils over and the two grow apart, as one betrayal after another spirals into a series of events that end in murder.
Like a simmering pot, Maurizio grows increasingly aware of Patrizia’s questionable ideological and ethical actions. Like a modern-day Lady Macbeth, Patrizia entangles herself in situations where she does not belong and pits those who hold real power in the Gucci empire, Rodolfo and his brother Aldo (Al Pacino), against each other. Maurizio has little interest in the family business, leading Patrizia to often go above him without his knowledge. This fuels Patrizia’s eagerness to prove her worth.
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Their marriage creates a crack in the Gucci foundation, splintering the father/son relationship and emphasizing the fact that despite how much Patrizia desires it, she will never fully be a Gucci. The odd couple begin an unlikely romance, one that Maurizio’s father, Rodolfo (Jeremy Irons), does not approve of. He is an absent-minded aristocrat, attracted to her Elizabeth Taylor-esque beauty and animal magnetism. Maurizio is moderately more restrained than Patrizia. Lady Gaga stars as Patrizia Reggiani, an ambitious firecracker drawn to Maurizio’s wealth and potential. It is a tale of wealth, power, and betrayal culminating with the murder of Maurizio Gucci (Adam Driver).
House of Gucci is based on the 2001 book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed by Sara Gay Forden. There was something intangible to it, though, in all its eccentric madness, that intrigued me. It is a bizarre and outlandish soap opera that has its highs and lows, and thus will be divisive amongst fans and critics. There is a lot to unpack in House of Gucci, Ridley Scott’s outrageous real-life story of crime and passion surrounding the Italian fashion dynasty.